It’s nice to mark ‘Love Trinity,’ as a song—it’s always felt like it slipped through the cracks a bit. It was the last song we recorded, one of the last we wrote. We recorded it as a one-off single for Trifekta Records in Australia, to promote the tour we were going to do there. I think it felt quite different from the other stuff; it came out of Chris’s bassline (which a lot of things did), and it had the delay effect on the guitar, and the sort of big guitar solo. There’s even a part where Sue’s vocals are multi-tracked—so whereas all the previous stuff had deliberately been very dry and live sounding, it was more of a sort of atmospheric thing. I don’t think it was anyone’s favourite at the time, but a lot of people we knew loved it and said it was the best thing we’d done. For me it’s taken on more importance over time, because it feels like a swansong, I guess.
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