Luckily, Snider had bonded with Prine, one of his musical heroes, who signed him to his label Oh Boy Records. Snider recorded numerous albums on the label, most notably 2002’s New Connection and 2004’s East Nashville Skyline, and came into his own in the studio setting, calling the shots on his sound, ideas, and delivery with a renewed sense of purpose without sacrificing any of his musical wit. As the album cycles ebbed and flowed, so did Snider’s health; by the late ’90s, Snider struggled with drug addiction. He entered rehab in 1997 after taking morphine every day for over a month, and then again in 2003 after getting hooked on OxyContin.
As the years progressed, Snider swung from New Door to Aimless Records and beyond, finding whatever home for his records that he could. As he penned more songs, he also made connections with fellow musicians in the country music scene, with artists like Amanda Shires and Jason Isbell contributing to his albums. Before long, Snider was revered for his live sets—fans often tout his Austin City Limits appearance as their introduction—and his personable authenticity.
Although he stumbled across hard times each decade, Snider never gave up on music as an outlet to sort through his troubles. Back pain and other health issues plagued him in the lead-up to his 2025 tour, but Snider was eager to persevere, trusting in the songs themselves to lighten the load. “I at least want to do it one more time,” he told Rolling Stone. “I told my team that I want this tour to be the funnest one.”
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