Lakker – Dropped Shoulders
Ever since the glory days of disco in the 70s the allure of a record label has often equalled or even eclipsed the artists, not only for the ubiquitous trainspotters but simply devotees looking for a seal of quality, something to take the music forward or simply something guaranteed to blow the roof off. Disco had Salsoul and Prelude, Chicago house was dominated by DJ International and Trax, Detroit techno gained its mystique from labels like Metroplex and Transmat while New York deep house was ruled by Nu Groove and Strictly Rhythm. Meanwhile in Ghent, Belgium, the distinctive Ferrari-like prancing horse logo of R&S heralded a stream of cutting edge techno gold unleashed as the label corralled more seismic electronic battle-weapons than any in European dance music history. R&S licensed the hottest tunes from all over the world while developing its own formidable stable of producers. It’s catalogue is nothing short of stunning. The roster reads like the who’s who of electronic music, Aphex Twin, Derrick May, Ken Ishi, CJ Bolland, Kenny Larkin, 69 / Carl Craig, Joey Beltram, Model 500, Dave Angel, the list goes on… The start of 2008 saw the relaunch of R&S, releasing a number of re-mastered classic albums, and remixes of classics from the likes of Audion, Prins Thomas, Tom Middleton, Optimo and Boyz Noise. But the label is not about looking to the past, it’s continuing it’s tradition of releasing brand new, cutting edge music. Since the relaunch the label has re-positioned itself again as one of the most forward thinking electronic labels with the new roster featuring the likes of James Blake, Pariah, Space Dimension Controller, Blawan, Lone, Vondelpark, Model 500, Tessela, Paul White and Airhead.

Pretty Pink @ Sea You Festival 2018

Enjoy the best of Deep & Tech House!
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Pan-Pot – Destination Time Warp – Tour 2019

We‘re going on tour 🤘 DESTINATION TIME WARP – TOUR 2019 9 shows. All across Germany. All the way to Time Warp! 27.03. – PAN, Hannover 28.03. – Distillery, Leipzig
29.03. – Kalif Storch, Erfurt
30.03. – Fusion, Münster 31.03. – Roof 175, Mainz
03.04. – Mauerpfeiffer, Saarbrücken 04.04. – Club Douala, Ravensburg 05.04. – Die Rakete, Nürnberg
06.04. – TIME WARP, Mannheim

Soma Skool 2019

Soma Records are proud to bring #SomaSkool to Glasgow this Easter Bank Holiday in April, to educate the minds of tomorrow in how to gain a career in the electronic music industry. Ahead of Maximum Pressure Easter 2019, later that day. After the huge success of last years event, 2019 will be even bigger and better – with more rooms, demonstrations and insider knowledge from the most exciting established artists and brands from across the globe. The FREE ENTRY event will be the biggest of it’s kind in Scotland and is not one to be missed for any budding musical entrepreneurs. Industry Panels + Demonstrations from: Slam
KiNK Jennifer Cardini
Young Marco
Machine woman
illyus & Barrientos
Dimensions Festival
Sub Club
Oval Space
La Cheetah Club
Meat Free
Noods Radio
Craigie Knowes
Subcity Radio
Night School
Bossy Love
Brain Dancing
Magic City Glasgow
Shoogle Studios
SKapade Studios
MAKING MIDI CONTROLLERS + STALLS FROM: guitarguitar / Musicians' Union / University of the West of Scotland / Glasgow Caledonian University / Riverside Music College / SAE Institute UK / University of the Highlands and Islands / New College Lanarkshire / Glasgow Kelvin College ***** FREE ENTRY
+ MUCH, MUCH MORE In association with:
Creative Scotland
Red Bull Music
Pioneer DJ
Shoogle Studios
SKapade Studios

Ableton Live Production Basics 10 | Saving Multiple Default Templates

Fill You Templates with Samples |
Little Plate Reverb |
Outer Space Delay | In this Ableton Live 10 Production Basics tutorial, the first of 2019, Joshua Casper shows you how to save your own personal Live Default Preset which will effectively make Ableton Live open your custom way every time you launch the program … excluding any saved projects of course. Saving Multiple Default Templates is easy. Which means you can easily save different starting points for different production processes. As an example, one template for regular production of house music, another for recording voice overs, and a third for hip hop. Taking a bit of time to set these templates up will save you a bunch of time in the future. You can always update and change what needs changing as your production style changes and advances. #AbletonLive10