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Mixed In Key 8: X-Ray Waveforms, Auto Cue Points, Tag Editing

Mixed In Key has released a brand new version of their key analysis software, Mixed In Key 8. In addition to incredibly accurate key detection of tracks, the new version of the software has new features for playlist and ID3 tag cleaning, cue point detection, and more.

  • Software: Mixed In Key 8
  • Developer: Mixed In Key
  • Availability: Out now
  • Price: $ 29 for current users, $ 58 for new

Cue Curve / Cue Point Detection Algorithm

The last version of Mixed In Key, released in January 2015, incorporated a new system that automatically detected and placed cue points for Serato and Traktor users. This new version continues to do that, but has incorporated some new functionality as well:

“The bottom of the audio player shows our new invention, the Cue Curve. If you see a tall peak that looks like Mount Fuji, that means you can drop a perfect cue point there.

cuecurve

Your Cue Points are always snapped to the beat. Mixed In Key will load the official Serato and Traktor beatgrid, and will make sure that your Cue Points line up. You can edit everything yourself, and sync with Serato and Traktor automatically.”

X-Ray Waveforms

xray

The new waveform view in Mixed in Key 8 allows DJs to quickly see the volume of the melody and the transients created by the drumbeat – which makes it easier to find sections of the song to place cue points.

Metabliss ID3 Tag Manager Built In

Mixed In Key has incorporated of their standalone MetaBliss ID3 tag manager app into this new version 8 of the key detection software. It allows DJs to treat their library like an Excel spreadsheet – jumping into individual ID3 fields and cleaning them up.

You can also quickly correct issues like extra spaces, extraneous promo links in the track comments, and change the case automatically to a number of options.

Get more details on this release of Mixed In Key 8 on the official site here

Autore: DJ TechTools

Categorie
Digital Audio

Everything You Need To Know About Roland’s DJ-808 Serato Controller

Last Friday, Roland launched one of their first-ever DJ focused products, the DJ-808. It’s a controller for Serato DJ – but with a built-in step sequencer and a few other features, it’s much more. Roland allowed DJTT to check the controller out in person, read on for an exclusive video and our thoughts.

DJ-808: First Look Video

All-in-one digital DJ controllers are approaching a full decade of existence (the VCI-100 launched in 2007), and the level of innovation we’ve seen on recent releases has started to dwindle. With their new DJ-808 controller, Roland and Serato are aiming to be the exception to that. It’s a familiar four-channel DJ controller layout, but a step sequencer and a few advanced features shine through.

Here’s a closer look at what the DJ-808 is capable of:

TR-S: DJ-808’s Drum Machine + Step Sequencer

roland-trs-section

The top section of the DJ-808 (click to zoom)

This is the crown jewel of the DJ-808 controller. The TR-S has two halves to it – a standalone drum machine and a MIDI sample sequencer. The integrated TR drum machine has Bass Drum, Snare Drum, Hi-Hats, and Clap from the classic TR-808/909/707/606 machines. They’re the Analog Circuit Behavior sounds that grace Roland’s AIRA gear.

Each sound can be sequenced on the TR-S’s 16 push buttons, and the volume of each sound can be altered on the fly using the faders to the right of the sequencer. To adjust each sound individually, press the button for one of the sounds and then use the dedicated knobs for attack, decay, and tuning.

The TR-S has 16 patterns that can be saved inside of the unit – even if you’re completely disconnected from Serato, and lose all power, it will remember them afterwards. You can also route the drum machine’s sounds through Serato and apply either FX channel onto it.

Using the performance pads on the bottom of each deck, DJs can perform the TR-S sounds:

  • The bottom four pads will play the four active sounds in the TR-S. You can record these into the step sequencer in real-time by pressing “INST REC” in the TR-S section
  • The top four pads are velocity sensitive rolls of the same four sounds (push harder and the rate of the sound repeating increases). These can’t be recorded – more designed for on-the-fly fills.

The TR-S can also sequence Serato DJ – see the section below.

Advanced Serato DJ Features

dj-808-serato-dj

Pioneer’s focus on Rekordbox DJ and the DDJ-R line has been a pretty clear indicator that their relationship with Serato is nowhere near as tight as it was when they were designing the DDJ-S line. Roland’s partnership with Serato for this product means that there are a few industry first features on the DJ-808. Some of the deep Serato integration includes:

  • Serato Sample Sequencing: With new MIDI mapping functionality in Serato DJ, Roland is able to sequence Serato DJ’s Sampler banks (which were recently expanded to 4 banks of 8 samples). Only controller with built-in sequencers (like the Midi Fighter Twister) are able to sequence sample decks – and the DJ-808 is the first controller to ever do it with Serato.
  • Pitch ‘n Play: Serato took the recent explosion in tone play / MIDI-mapped re-pitched cue points and turned it into a proper feature. The best part is that the cue points are mapped out in key with the track that’s playing – so creating a tone play routine is a breeze.
  • “Ultra Low Latency” Jog Wheels: Roland and Serato are purporting that the DJ-808 has some of the lowest latency platters of any device now available. With the kings of MIDI and the scratch-loving software developers on it, it’s more than just marketing hype. The jogs felt really solid in our brief testing, and there’s the added bonus of having visual feedback directly on the jog wheel.
  • Velocity Sensitive RGB Performance Pads: Cues, Loop Rolls, Sampler, TR-S, and Pitch Play are all controllable using the performance pads on each deck. Having velocity adds an extra element of expressive control here that other controllers lack.

There’s also DVS support with dedicate inputs – but DJs will need to buy the DVS Serato plugin to use that functionality.

Master Syncing Everything

trs-sync-master-clock

One of the issues with having so many sources of sounds that are being sequenced together has always been keeping everything in time. Roland are the masters of MIDI (having helped develop it!) and their solution here is to use the DJ-808 as the master clock for everything. DJs can sync Serato decks to the TR-808s sequencer, as well as sync external MIDI instruments.

There are two AIRA LINK USB ports on the back of the DJ-808, which allow you to synchronize other Roland gear with the master clock as well as pass audio into the unit – all with a single cable. If you’re not using gear that has AIRA LINK, you can still sync up with MIDI DIN and an audio cable.

Vocal Transform!

vt-dj-808

The DJ-808 has a built-in vocal transformer, like an abbreviated version of the AIRA VT-3. It’s not the central focus of the controller, but it for sure is a fun element to it. Plug in your mic and adjust the pitch, formant, and ducking of the mic input.

The super power feature here is the Auto Pitch button – which enables a basic autotune on the mic input, and syncs the key of the autotune to the key of the playing deck in Serato DJ. It works fairly well from what we saw – but unless you’re comfortable singing during your DJ sets already, we suspect many DJs will shy away from using it during a gig.

DJ-808s Mixer + Tech Specs

dj808

The mixer on the DJ-808 isn’t just a MIDI mixer, it has a range of inputs and outputs all of which can function independently from Serato DJ. It even has four channel-assignable FX (similar to Pioneer’s Color FX) that are solid DJ mixing tools: Jet, Filter, Dub Echo, and Noise. As with Color FX, turn the knob more and you get a higher level/depth of the effect.

There are a few of-note under-the-hood features on the DJ-808, including the high-spec 96kHz soundcard.  Here’s some of the technical specs from Roland on the controller (see the full specs, including impedance/level details, here).

Signal processing:

  • Sampling Frequency = 96 kHz, 48 kHz, 44.1 kHz
  • A/D conversion: 24 bits
  • D/A conversion: 32 bits

hardware-io-back

I/O

  • INPUT (1–4) jacks: RCA phono type
  • MIC IN jack: Combo type (XLR, 1/4 inch TRS phone (balanced))
  • MASTER OUT 1 jacks: XLR type (balanced)
  • MASTER OUT 2 jacks: RCA phono type
  • BOOTH OUT jacks: TRS phone type (balanced)
  • PHONES jacks: stereo 1/4 inch phone type, miniature phone type
  • USB Host ports: USB type A
  • PC port: USB type B
  • MIDI OUT connector
  • DC IN jack
  • PHONO GROUND terminal

Dimensions + Weight:

This is on the larger end of controller size – something that you’re going to want a dedicated space for in your home studio. Bringing it to a gig? You’ll for sure want to get there at soundcheck to make room for it.

  • Weight: 15 lbs / 6.8 kg
  • Dimensions: 26.3″ X 16.8″ X  3.3″ (688 X 427 X 84 mm)

Your Questions, Answered

roland-and-serato-dj-808

We noticed that on the original product announcement and around the web, DJs have lots of questions about this new controller. Here’s the answers to some of the most asked questions:

Who Did Roland Work With To Build The DJ-808? 

A lot of commenters have wondered about why the DJ-808 mixing and deck sections look similar to other currently-released products, and the answer is fairly simple. Roland teamed up with Serato for this design – so the unit is design to reflect the interface in that software.

There’s been some speculation about other companies like Pioneer or Reloop assisting with the design or manufacturing – but there is no truth to that. The DJ-808 is entirely a Roland and Serato product.

Can I MIDI Map It With (Traktor / Virtual DJ / Other DJ Software)? 

While the DJ-808 is a heavily Serato-branded product, but that doesn’t mean that the functionality is locked to that software. The step-sequencer and all other functions are sending out MIDI signals that should be able to be mapped in other software. When we have a full review unit, we’ll dive into this and see what potential exists.

Is there any ducking or compression being done with the TR-S versus other playing track channels?

No – using the TR-S sounds alongside tracks in Serato is much the same as putting an AIRA TR-8 into your setup. There’s no side chain compression for the sounds in the unit.

What software and Serato plugins are included? 

There’s a full license to Serato DJ, as well as a Pitch ‘n Time license (this unlocks the Pitch ‘n Play feature and other key-syncing functions like the VT’s autotune)

Where’s the standalone version of TR-S without the all-in-one DJ controller attached?

Great question – we suspect that Roland could be testing the waters with this gear first – and based on feedback, could release future products that take elements of this controller. All the marketing and advertising for the DJ-808 does imply that this is “just the beginning”, so we’re excited to see what other DJ-related gear Roland cooks up!

Have more questions about Roland’s new DJ controller?
Let us know in the comments and we’ll add answers here or reply in line.

Sign up here to be the first to know when units are ready for pre-order & once units officially hit the shelves

Autore: DJ TechTools

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Digital Audio

Yves V, Sem Thomasson ft. Ruby Prophet – On Top Of The World (Available September 23)

Yves V, Sem Thomasson ft. Ruby Prophet – On Top Of The World will be available on Spinnin' Records September 23.Stay up to date on more Spinnin' artists & music here! ► http://spinninrecords.com

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Digital Audio

System Of Survival – D-Votion (Teaser #2)

Preorder: http://apple.co/2bHh5xvFB: http://bit.ly/29qAm2dPietro 'Bingo' De Lisi and Alex Carpentieri have laid down a reputation for their music selection and production. Identifying themselves as ‘dedicated purveyors of all that is good in house music’ – and having the discography to back it up – System of Survival have had a massive influence on not only Italy’s house music scene, but on the international stage as well.‘D-Votion’ marks the second studio album from the Italian duo, and the first release on their newest home, Get Physical Music. From the first smooth pads of ‘Endless’, the album gives off an earthy warmth that can only come from a lifetime of experience. The album keeps the vibe low, while still keeping the dancefloor in mind. ‘Packing’ starts in the heavens and end on the floor, and ‘Searching for A wave’ takes the torch from there with a gritty bass sharing space with thick, yet soft chords. But it’s the melody that takes the cake here, courtesy of Surfbit in a live studio jam session; it carries the track deeper into the night. This feeling of looseness, inspired by the jazzy groove is continues in the next track, ‘From Motor City With Love’; pulling the groove a good bit deeper.‘Distortion Under Control’ throws us into a time machine, reliving the sounds and spirit that gave birth the house in the first place. The same could be said for ‘Lazy Days’, who’s title leads us to believe just the opposite; the track turns out to be a rhythmic shuffle that delivers energy in all the right places. Next, the stunning vocals by rising Italian pop star Vhelade enchants ‘Kutting’ with her stunning vocals, giving the track an unmistakable fire of passion.‘Breathe’, a catchy soulful disco number goes on to give a sunny, late-summer vibe that ruled the 70’s, and is born again here for 2016 while still retaining a timeless quality.The low, rolling jazz tones of D-Votion present a careful balance of the organic and mechanical, creeping an ominous bassline that seems to revel in its own presence. Salvatore Stallone lends a careful ear here, adding a smooth finesse to the mix with the xylophonic melody. The final three tracks begin to slow the momentum, ‘Peacefrog’ brings a bouncy blend of vocal delays (via Brandy and Bianca) and electric-hustle while ‘The Bear, The Wolf And The Eagle’ hypnotizes with its rhythmic ambience and low-key approach. Finally, ‘Neon Sun’ takes us out on Roberto Bove’s live screaming electric guitars in a kind of dusty power ballad for a new age, leaving a lasting warmth long after the album has played out.http://www.getphysicalmusic.com/

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Gians – Dark Mad // Clinique Recordings

Gians – Dark Mad // Clinique Recordings [CLR188]Genre: Prog-House,Deep House,Release Date: Sep 12 2016Beatport: https://pro.beatport.com/search?q=Clinique%20RecordingsLabel: Clinique Recordings1 Gians – Conduct Disorders (Original Mix)2 Gians – Dark Mad (Original Mix)Release Info: a href= https://cliniquegroup.bandcamp.com/album/dark-mad P R E – O R D E R /a Music Promo Service by VIP Ultima http://www.VipUltima.com VIP Ultima is a Promotion Service for Music Professionals. It is used by Record Labels, Promotion Companies, and other Professionals in the Industry to manage their promo campaigns and get feedback comments from Top International DJs and Reviewers such as John Digweed, Sasha, Luciano, Hernan Cattaneo, Laurent Garnier, Josh Wink and thousands more.Check out our Facebook page at https://www.facebook.com/VipUltima