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HardwareSoftware

It is OK to scrape in the US

Author: edfu777 [AT] hotmail [DOT] com (Nick Farrell) Fudzilla.com – Home


Even if a site says you can’t

A district court in Washington, D.C. has ruled that using automated tools to access publicly available information on the open web is not a computer crime—even when a website bans automated access in its terms of service.

The court ruled that the 1986 Computer Fraud and Abuse Act (CFAA) which was designed to stop hackers—does not make it a crime to access information in a manner that the website doesn’t like if you are otherwise entitled to access that same information.

The case, Sandvig v. Sessions, involves a First Amendment challenge to the CFAA’s overbroad and imprecise language. The plaintiffs are a group of discrimination researchers, computer scientists, and journalists who want to use automated access tools to investigate companies’ online practices and conduct audit testing.

However the automated web browsing tools they want to use (commonly called “web scrapers”) are prohibited by the targeted websites’ terms of service, and the CFAA has been interpreted by some courts as making violations of terms of service a crime.

According to the Electronic Frontier Foundation, the plaintiffs have refrained from using automated tools out of an understandable fear of prosecution. Instead, they decided to go to court. With the help of the ACLU, the plaintiffs have argued that the CFAA has chilled their constitutionally protected research and journalism.

The CFAA makes it illegal to access a computer connected to the Internet “without authorisation,” but the statute doesn’t tell us what “authorisation” or “without authorisation” means. Even though it was passed in the 1980s to punish computer intrusions, it has metastasised in some jurisdictions into a tool for companies and websites to enforce their computer use policies, like terms of service (which no one reads). Violating a computer use policy should by no stretch of the imagination count as a felony.

Judge John Bates said that a broad reading of the CFAA “threatens to burden a great deal of expressive activity, even on publicly accessible websites”.

The First Amendment protects not only the right to speak, but also the right to receive information, and the court held that the fact “[t]hat plaintiffs wish to scrape data from websites rather than manually record information does not change the analysis”. According to the court: “Scraping is merely a technological advance that makes information collection easier; it is not meaningfully different from using a tape recorder instead of taking written notes, or using the panorama function on a smartphone instead of taking a series of photos from different positions.”

Judge Bates did not strike down the law as unconstitutional, but he did rule that the statute must be interpreted narrowly to avoid running afoul of the First Amendment. Judge Bates also said that a narrow construction was the most common sense reading of the statute and its legislative history.

Categorie
Digital Audio

iRig Stomp I/O: Greg Koch Live from the IK Amp Room


http://www.irigstompio.com Master guitarist Greg Koch visited IK headquarters in Modena, Italy and feasted on iRig Stomp I/O's amazing guitar tone and the incredible and realistic guitar gear in AmpliTube. Watch as Greg adeptly works his way through presets with supreme control over the amps and effects of AmpliTube while retaining the true tone of his instrument, all with iRig Stomp I/O. Greg shows off the true power of having a great audio interface with a robust controller coupled with the most realistic guitar software – just watch as he sculpts his tone with just the volume knob on his guitar.

Categorie
Digital Audio

Predator2 Live Stream 12 April 2018


Predator2 live stream with questions of users, tips and tricks
https://www.robpapen.com/Predator2.html

Categorie
Digital Audio

Fahrland – Mixtape Vol. 1 (Album Preview)


FAHRLAND "Mixtape Vol.1" is out now: https://KompaktRecords.lnk.to/FahrlandMixtapeVol1ID ↓TRACKLIST↓ 1. Get Up : 00:00 2. Suspension : 01:31 3. I Am Robot : 03:02 4. Beggin Feat. Mz Sunday Luv : 04:33 5. Plastic People Feat. Mz Sunday Luv : 06:04 6. 2018-04-05 : 07:35 7. Yesterday Feat. Mz Sunday Luv : 09:06 8. Friends Forever : 10:37 9. Sky So High : 12:08 10. L And H : 13:39 11. Windshield Gently Wipers : 15:10 12. Get Down : 16:41 13. Continuous Mix : 18:12

Categorie
Digital Audio

Blanka Mazimela – Phezulu (Aero Manyelo Remix)

https://www.youtube.com/watch?v=6z2oqvH6GfE
Buy: https://getphysicalmusic.lnk.to/GPMCD180 Get Physical’s ‘Body Language’ is one of dance music’s most essential and enduring mix compilation series. April 13th will see the release of the latest instalment, this time compiled and mixed by Aero Manyelo and featuring 15 tracks, nine of which are brand new and exclusive offerings. Aero Manyelo is a prominent South African DJ and producer who has spent more than a decade in the scene, recently working as part of the Johannesburg musical collective Batuk, he is now back, focusing on his solo sound once more. In that time his organic
house sound has landed on Sound Pellegrino and Herbal 3 Records as well as on the Africa Gets Physical compilation with his ‘Mooki’ track, which became a firm favourite of Dixon and Damian Lazarus. He kicks off the superb mix with one of his own exclusive tracks, ‘Man to Many’, alongside Fluida. It’s a tribal cut with chanting and rousing synths that sets an absorbing atmosphere from the off. Label favourites Bedouin then take things down into their trademark deep desert house territory and Constantijn Lange brings a magical sense of melody to his mature and musical ‘Mapleseed Rhinos.’ A run of standout exclusives continue to offer differing house styles that range from playful and loose (Myazisto) to late night and woozy (Martin Waslewski) via slowed down and jumbled (Aero Manyelo), with Just Her then stepping things up with a
scintillating tech house track in ‘Tabula Rasa’. Manyelo then offers another fantastic new cut, ‘Taking Long’, which finds him in a driving house mood and layering in meandering, thoughtful pads. The remaining exclusives come from Laolu and in the form of two remixes from Manyelo which show off his majestic synth craft. Things wrap up in moody style with slick tech from M.A.N.D.Y. and a twisted, downbeat cut from Pier Bucci. This is another standout entry into the definitive Body Language mix series. http://www.getphysicalmusic.com/